from chaos to the wet stars, a piece about creativity

…so that he could plunge back into his chaos and drag out of it, with all its wet stars, his cosmos.

V. Nabokov – The Pale Fire

What can we say about creativity and about the process of creation? Let’s see. Nabokov here, comes up with a plan, which sounds to be rather simple. First you jump into your chaos and then, you bring back a cosmos. Probably the Greeks would agree. Maybe ha has a point, we shouldn’t rule it out just like that becasue it’s a story as old as the world itself. You know. Take a look on how Harris saw Pollock creating:

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Pleasure as a source of suffering – population control in ‘Brave new world’, ‘Naked Lunch’ and ‘Infinite Jest’.

<some paper I’ve written for classes, why not post?>

„For the first time it was inside, do you see.

The control is put inside. No more need to suffer

passively under ‘outside forces’ – to veer into any wind.”

– Thomas Pynchon ‘Gravity’s Rainbow’

 

 

I. Introduction

 

The main question that we would like to deal with in this paper is whether pleasure plays an instrumental role in controlling the way people act. This is neither a new idea, nor is it groundbreaking, and as we will see, there are at least a few major examples of literature works that explore the said topic. However, as we would like to take a look on novels written in quite different moments in history, that is, more or less, in: the beginning (1931), the middle (1959) and the end (1996) of the 20th country, it might be a move resulting in some interesting conclusions. The specific way that the pleasure is used, the way people react to it, the effects of such enterprise and finally the way in which the great authors chose to write about it are all subject to considerable and meaningful changes. It is understood by us that even though literature may not always hold the key to the ultimate truth, it does vividly show how we, collectively, think about certain issues at certain points in time. In other words, it is to be more of a hermeneutic work, than a rigorous, scientific securitizing of the possible ways our present civilization might develop.

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In art, no rights for the wicked

bron7#bronson

I was wondering what to post about today and then I got this brilliant idea that I should just make another  post about art. You just can’t go wrong with that.

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W. Burroughs – Naked Lunch

Followers of obsolete unthinkable trades, doodling in Etruscan, addicts of drugs not yet synthesized, black marketeers of World War II, excisors of telepatic sensitivity, osteopaths of the spirit, investigators of infractions denounced by bland paranoid chess players, servers of fragmentary warrents taken down in hebephrenic shorthand charging unspeakable mutilations of the spirit, officials of unconstituted police states, brokers of exquisite dreams and nostalgias tested on the sensitized cells of junk sickness and bartered for raw materials of the will, drinkers of the Heavy Fluid sealed in translucent anber of dreams.

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W. Burroughs – Naked Lunch

A.J. is an agent like me, but for whom or for what no one has ever been able to discover. It is rumored that he represents a trust of giant insects from another galaxy…I believe he is on the Factualist side (which I also represent); of course he could be a Liquefaction Agent (the Liquefaction program involves the eventual merging of everyone into One Man by a process of protoplasmic absorption). You can never be sure of anyone in the industry.

 

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